This is a more recent work. I wrote the lyrics while I was in Africa last year (2024), after watching a drive-through documentary on the human decay across the Appalachian Mountains. I was born in West Virginia. If not for the grace of God, I would likely be a coal miner or an engine driver.
The documentary broke my heart — it captured real desperation. I wanted this song to reflect that film through the lens of my own experience. I stripped it of sentimentality and aimed for gravity and painful realism — not a “pretty tragedy” and absolutely no postcard sadness. When it ended, I set my iPad down with a weight in my stomach. My goal was for this song to leave the same mark.
This is a link to the documentary if you interested in watching:
LYRICS
Verse 1
Ya know, the mountains can’t promise tomorrow
They just teach your back how to bend
Born between the Bible and a bottle
one’s the real thing, the other’s pretend
There’s a holler where hope go’s missing
Like a joke that chills the room
Where the boys learn not to ask questions
And girls grow too old, too soon
we don’t talk about dreams where I’m from
They all land like a small-town joke
We just talk about the mileage and the money
how many times we’ve elected real hope
There’s a dirt road with bones in the gravel
And a church with a flickering cross
Half the town’s lost track of their children
the other halves learned not to watch
the other halves learned not to watch
Chorus
Ohhhh, don’t nobody here want oblivion
just looking for an honest day’s pay
ya know God don’t answer his phone here
he just looks the other way when we pray
we’d chase anything to find meaning
Even if it’s all colored up in gray
Some pain is a bruise to the ego
Some pain is the edge of a blade
Some pain teaches you survival
Some teaches you how to behave
(Some pain never fades, some pain never fades)
Verse
There’s a boy with his mother’s sad eyes
Selling pills by an old school-bus sign
Tells himself it’s only just for a season
But the seasons never end here on time
There’s a girl who still dreams in her sleep
Wakes up in a sweat every night
Says, “I swear I was born for a reason”
Then clocks-in every day to survive
Then clocks-in every day to survive
verse 3
The factories all folded like scripture
that no one remembered to read
the future is sold by the ounce here
and no one ever looks twice when you bleed
We were taught to be proud of our sufferings
Wear em’ like our best Sunday clothes
But pride will keep you alive, past living
Till there’s nothing left that’s your own
Till there’s nothing left that’s your own
Chorus
Ohhhh, don’t nobody here want oblivion
just looking for an honest day’s pay
ya know God don’t answer his phone here
he just looks the other way when we pray
we’d chase anything to find meaning
Even if it’s all colored up in gray
Some pain is a bruise to the ego
Some pain is the edge of a blade
Some pain teaches you survival
Some teaches you how to behave
(Some pain never fades, some pain never fades)
Bridge
The mountains don’t owe you a god dammed thing
For years they’ve watched us come and go
From the nights where the silence is screaming
To the days where they hum soft and low
Where the mountains hum so soft and low
Chorus
Ohhhh, don’t nobody here want oblivion
just looking for an honest day’s pay
ya know God don’t answer his phone here
he just looks the other way when we pray
we’d chase anything to find meaning
Even if it’s all colored up in gray
Some pain is a bruise to the ego
Some pain is the edge of a blade
Some pain teaches you survival
Some teaches you how to behave
(Some pain never fades, some pain never fades)
Press Blurb:
This song confronts Appalachia without myth or sentimentality. Built on industrial Americana textures — grinding guitars, mournful violins, and drums that feel like failing infrastructure — it rejects nostalgia in favor of truth. There is no romantic ruin here, no polished sorrow. The lines observe instead of perform, documenting a region shaped by endurance, addiction, and inherited silence.
Written from personal connection rather than distance, the song moves through collapsing towns with quiet accuracy. It names what is often edited out: pride as survival, numbness as defense, and pain as instruction. The chorus refuses metaphor and categorizes its subject plainly: “Some pain is the edge of a blade / Some pain teaches you survival / Some teaches you how to behave.”
Rather than offering solutions, the song leaves a weight. Not resolution — recognition. It does not console the listener. It tells them the truth and trusts them to sit with it.
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